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"JOURNEY"
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Moon over Aotearoa
Posted: 10:59 PM (Manila Time) | Aug. 24, 2003
By Divina C. Paredes, Contributor
Inquirer News Service
 

Common image

While the colors may appear attractive and vivid, a closer look reveals sadness and fear. Those who are familiar with his earlier works would also note the colors are "darker," a fact Zulueta acknowledges.

The choice of surreal figures in his works is deliberate. "The figures do not have detailed faces and have protruding skeletal outlines indicative of the migrants' difficulties and challenges. The paintings depict their search for meaning and identity and what the uncertain future holds for them."

 

The figure in "Introspection" is actually faceless. In "Journey," the facial features are hazy. The principal figure is entering a door, but seemingly floating on the air, as if in limbo. This, he says, was how he felt the first few weeks and months in New Zealand.

The third painting, aptly titled "Unknown," shows his uncertainty on what his future holds in his adopted homeland.

A common image -- the moon, always in flaming red-links the three canvases. In "Introspection" and "Journey," the moon is peering from behind the human figure. In the last canvas, the moon is less discernible, merging with the head of the human figure.

Zulueta explains the moon reflects constancy and a link to his past life. It is the same moon, after all, that could be seen in the land he left and the country he now calls home.

While Zulueta has devoted more time to photojournalism in the last decade or so (he won the first and third prizes in the 1997 Willie Vicoy Photojournalism Awards in the Nature and Environment Category, among other awards), his academic background is in painting.

He graduated in 1982 with a Fine Arts degree, major in Painting, at the University of Sto. Tomas and took up post-graduate courses at the University of the Philippines College of Fine Arts.

In 1982, while working as a graphic artist and illustrator in a government agency, he enrolled in a workshop of the Cultural Center of the Philippines. The workshop lasted two months, but for Zulueta, it was "an eye-opener and paved the way for my sustained interest and studies in the visual arts."

 


 

 
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STORY HIGHLIGHTS:
'Bulls Eye'  
Common image  
Blank canvas  

 
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