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Moon over Aotearoa
Posted: 10:59 PM (Manila Time) |
Aug. 24, 2003
By Divina C. Paredes, Contributor
Inquirer News Service
Common image
While the colors may appear attractive and vivid, a closer look
reveals sadness and fear. Those who are familiar with his
earlier works would also note the colors are "darker," a fact
Zulueta acknowledges.
The choice of surreal figures in his works is deliberate. "The
figures do not have detailed faces and have protruding skeletal
outlines indicative of the migrants' difficulties and
challenges. The paintings depict their search for meaning and
identity and what the uncertain future holds for them."
The figure in "Introspection" is actually faceless. In
"Journey," the facial features are hazy. The principal figure is
entering a door, but seemingly floating on the air, as if in
limbo. This, he says, was how he felt the first few weeks and
months in New Zealand.
The third painting, aptly titled "Unknown," shows his
uncertainty on what his future holds in his adopted homeland.
A common image -- the moon, always in flaming red-links the
three canvases. In "Introspection" and "Journey," the moon is
peering from behind the human figure. In the last canvas, the
moon is less discernible, merging with the head of the human
figure.
Zulueta explains the moon reflects constancy and a link to his
past life. It is the same moon, after all, that could be seen in
the land he left and the country he now calls home.
While Zulueta has devoted more time to photojournalism in the
last decade or so (he won the first and third prizes in the 1997
Willie Vicoy Photojournalism Awards in the Nature and
Environment Category, among other awards), his academic
background is in painting.
He graduated in 1982 with a Fine Arts degree, major in Painting,
at the University of Sto. Tomas and took up post-graduate
courses at the University of the Philippines College of Fine
Arts.
In 1982, while working as a graphic artist and illustrator in a
government agency, he enrolled in a workshop of the Cultural
Center of the Philippines. The workshop lasted two months, but
for Zulueta, it was "an eye-opener and paved the way for my
sustained interest and studies in the visual arts."
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STORY HIGHLIGHTS:
'Bulls
Eye'
Common image
Blank
canvas
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